{"id":7520,"date":"2025-05-04T14:01:59","date_gmt":"2025-05-04T13:01:59","guid":{"rendered":"https:\/\/stpetersbrighton.org\/heritage\/?p=7520"},"modified":"2025-06-11T17:57:58","modified_gmt":"2025-06-11T16:57:58","slug":"prominent-ot-figures","status":"publish","type":"post","link":"https:\/\/stpetersbrighton.org\/heritage\/prominent-ot-figures\/","title":{"rendered":"Prominent OT Figures"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=””]by B. van Cleve<\/em><\/p>\n

The ‘Prominent OT Figures’ window is situated on the east side of St. Peter’s Church. Three of the lights of this Kempe window and were completed in 1880, the fourth light, which depicts ‘Samuel’, was completed in 1898.[\/vc_column_text][vc_single_image image=”7531″ img_size=”large” alignment=”center” css=””][vc_column_text css=””]There are three tiers in this Kempe stained glass window. The first two are made up of angels presiding over the whole scene. The main tier of four OT figures is separated from them by a row of artistic embellishments.<\/p>\n

This window is noteworthy for its intricate detail. Some features are easy to miss, especially since this window is fairly high up on the wall, above the main entrance of the church.[\/vc_column_text][vc_empty_space height=”44px”][vc_column_text css=””]<\/p>\n

The Heavenly Realm<\/h3>\n

[\/vc_column_text][vc_empty_space height=”12px”][vc_single_image image=”7532″ img_size=”large” alignment=”center” css=””][vc_column_text css=””]The first tier consists of some embellishments and four angels, which simply preside over the scene. In the second row eight angels are depicted having banners with Latin writing, and again, the text is heavily abbreviated. This text is taken from:<\/p>\n

Gloria in excelsis Deo et in terra pax hominibus bonae voluntatis <\/em>
\nGlory to God in the highest and peace on earth amongst those with whom he is pleased<\/em><\/p><\/blockquote>\n

Only, these first two phrases are omitted. They can be found elsewhere in St. Peter\u2019s church, namely on the east wall below the Lady Chapel windows.[\/vc_column_text][vc_single_image image=”7533″ img_size=”large” alignment=”center” css=””][vc_column_text css=””]The text the angels display on their banners reads as follows:<\/p>\n

Laudamus te\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0We praise you<\/em>
\nBenedictimus te\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 We bless you<\/em>
\nAdoramus te\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 We adore you<\/em>
\nGlorificamus te\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 We glorify you<\/em>
\nGratias agimus tibi\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 We give you thanks<\/em>
\nPropter magna gloriam tuam\u00a0 \u00a0 \u00a0Because of your great Glory<\/em>
\nDominus Deus\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Lord God<\/em>
\nRex caelestis\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Heavenly King<\/em><\/p><\/blockquote>\n

[\/vc_column_text][vc_empty_space height=”44px”][vc_column_text css=””]<\/p>\n

The Earthly Realm<\/h3>\n

[\/vc_column_text][vc_empty_space height=”12px”][vc_single_image image=”7534″ img_size=”large” alignment=”center” css=””][vc_column_text css=””]The tier underneath the band of embellishments shows four figures who are featuring prominently in the OT. All of them have a banner below their feet with the writing:<\/p>\n

These all died in faith<\/em><\/p><\/blockquote>\n

[\/vc_column_text][vc_column_text css=””]<\/p>\n

Esra<\/h4>\n

The figure furthest to the right is the only one depicted with his name. The artist seems not to have found enough characteristic criteria to help the observer work out his identity. So he simply depicted him with his book in his hand to reveal the name.[\/vc_column_text][vc_column_text css=””]<\/p>\n

Moses<\/h4>\n

The figure on the left has two stone tablets with the ten commandments in his left arm and a staff in his right hand. Also his face is lighter than that of the other three figures. These characteristics are sufficient to discern that this figure must be representing Moses. The white face is probably thought to convey that his face was shining when he had been in the presence of God.[\/vc_column_text][vc_column_text css=””]<\/p>\n

Samuel<\/h4>\n

The second figure from the left is the most difficult to recognise. He has a large scroll in his arm and a very elaborate horn hanging down from his hand. When magnified, some letters can be seen around the rim of this horn. These letters read \u2018Oleu S’tum<\/em>\u2019, which is an abbreviation, probably necessary because of lack of space. It is very likely that it should read:<\/p>\n

Oleum Sanctum –<\/em>\u00a0(Holy Oil<\/em>)<\/p><\/blockquote>\n

[\/vc_column_text][vc_single_image image=”7535″ img_size=”large” alignment=”center” css=””][vc_column_text css=””]This figure is, according to \u2018The Corpus of\u00a0 Kempe Stained Glass in the UK and Ireland\u2019, representing Samuel. And we know from Scripture that one of the most important tasks of Samuel\u2019s ministry on this earth was to anoint the first two kings of Israel \u2013 Saul and David.[\/vc_column_text][vc_empty_space height=”44px”][vc_single_image image=”7534″ img_size=”large” alignment=”center” css=””][vc_column_text css=””]<\/p>\n

Daniel<\/h4>\n

[\/vc_column_text][vc_column_text css=””]The fourth figure (the second from the right) is clothed differently to the other three, and he is the only one without a beard. He is also the only figure depicted inside a building. All other figures feature in nature or in a town or a settlement of some description. The identity of the fourth figure is given away by the two fierce predators at his side. The scowling look on the lions\u2019 faces is so realistic that it is worth a closer look. The expression on the faces of these beasts and even details like mane and whiskers are executed absolutely convincingly.[\/vc_column_text][vc_single_image image=”7536″ img_size=”large” alignment=”center” css=””][vc_column_text css=””]The eyes of one of the lions are glaring up at the figure as if to say: \u2018There goes my dinner.\u2019 The second lion has the same piercing look, but it is directed not at the person next to the lion, but slightly upwards as if in thought, maybe pondering: \u2018Just watch it, my time is coming!\u2019<\/p>\n

This fourth figure cannot represent anyone other than Daniel, who was thrown into the lion\u2019s den for the steadfastness of his faith and his persistence in prayer. And we read that he was saved by an angel of God, so the lions could not do him any harm.[\/vc_column_text][vc_column_text css=””]<\/p>\n

All images \u00a9 B. van Cleve<\/em><\/p>\n

 <\/p>\n

\u2190 previous window<\/a><\/strong>\u00a0 \u00a0– <\/strong>\u00a0 next window \u2192<\/a><\/strong><\/p>\n

Floor plan of stained glass windows in St. Peter’s church Brighton<\/strong><\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

The ‘Prominent OT Figures’ window is situated on the east side of the Church. This Kempe window was manufactured in 1880\/1898.<\/p>\n","protected":false},"author":82,"featured_media":7534,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61],"tags":[],"class_list":["post-7520","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stained-glass-windows"],"yoast_head":"\nProminent OT Figures - St Peter's Heritage<\/title>\n<meta name=\"description\" content=\"The 'Prominent OT Figures' window is situated on the east side of the Church. 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